What if they gave a riot and nobody came?
Such is the dilemma faced by every good CIA false flag event organizer.
Necessity is the mother of invention, so the saying goes, and furthermore, nature abhors a vacuum.
Recent news stories have revealed companies which hire actors to portray all the various roles required at a crisis: victims, responders, and witnesses.
CrisisCast.com advertises “Award-winning role-play actors and filmmakers specially trained in disaster and crisis management.”
Another such outfit called Crowds on Demand may well have engaged the services of Las Vegas crisis actors such as easy-on-the-eyes identical twin sisters Natalia and Gianna Baca. They made the ABC News show on November 3, 2017, which has to look really good on their acting resumes. But it really does sound like they are reading from scripts, and their high-fivin’ jivin’ is completely out of the question for anyone who suffered any genuine high-caliber rifle trauma.
In fact, there is not a single Las Vegas shooting victim who acts or sounds convincing about having just been rampaged and shot with the liquid lightning delivered by a high-caliber rifle.
If you compare news coverage of the recent, tragic Texas church shooting to that of any alleged false flag event (Texas school tower, Sandy Hook school, Aurora theater, Boston Marathon, San Bernadino conference center, to name a few), you notice distinct differences, notably: the “honest” tragedy names the hospital where victims are taken rather than cite “area facilities” or other vague location; honest reporting mentions the fact that the death toll will probably mount as people die from their wounds, and this never happened in any Las Vegas shooting reports – because no one was actually injured; and videos of real events show victims with credible bleeding and bandaging on gurneys being loaded into ambulances, whereas there were no such images at either Sandy Hook or Las Vegas.
The CIA uses false flag events as part of their propaganda campaign, and to test public willingness to surrender our constitutional rights regarding gun ownership, public security systems, and martial law.
Among the list of demonstrated actors on the scene – literally – of false flag events:
– Luis Burbano – alleged Las Vegas shooting victim (actor) has a social media page promoting his theater credits.
– Christine Leinonen – alleged mother (aspiring actor) of alleged Orlando nightclub shooting victim Drew Leinonen and applicant to the popular TV game show “Wheel of Fortune.”
– “Katey Foley/Alex Israel” (real name unknown) Katey Foley is supposed to be James Foley’s sister. James was allegedly beheaded by Isis agents. Alex Israel is allegedly a former classmate of Adam Lanza, alleged Sandy Hook shooter.
– Nick Pugh (actor) – on-the-scene witness at both 9/11 and the LAX shooting
– Robbie Parker (actor) – alleged father of an alleged deceased Sandy Hook student caught on video laughing before he composes himself to conduct the “interview” – truly creepy.
The list goes on and on and on. Even when a CIA operative posts a debunking story or video, it appears they are using Photoshop – badly – to convince those who are not particularly curious or suspicious that everything is just fine.
Sandy Hook is an interesting case where a DHS drill went live – either accidentally or per plan. How could an entire school be hushed up, you ask? Your disbelief is understood, but consider what kind of theater you could put on with unlimited, untraceable black ops budget funding?
It is well worth remembering the late, great actor Orson Welles and his Mercury Theater on the Air. In 1938, the day before Halloween, the Columbia Broadcasting System aired this live radio group as they brought to life Orson’s version of another Welles’ horrifying science fiction story. That story was H. G. Welles’ “The War of the Worlds,” which features monstrous “Martians” who invade New England and begin a national rampage of death and destruction.
Although this radio broadcast began with Orson Welles’ reading a disclosure he wrote to assure the audience across America that what they were about to hear was a new art form, pure fiction, and no matter how real it seemed, there were, in fact, no Martians actually attacking Earth. What no one could foretell was that viewers who tuned in late, having missed the introductory reassurance, panicked. Police phone lines were jammed with horrified callers who were convinced that mechanical machines of destruction were in the neighborhood.
Shortly after discovering the broadcast’s negative impact on the American consciousness, Orson Welles prepared a public apology which appeared on national television, assuring his fame as a modern dramatist.
The CIA must have been paying attention to the Mercury Theater on the Air because the evidence is overwhelming that actors, scripts, and sets have become the normal accompaniment for so many present-day atrocities.
Therefore, be vigilant for false flag events and question what you see and hear.
And if you’re an aspiring thespian, perhaps you, too, can get your big break as a crisis actor with the Department of Homeland Security.